February 16, 2023
raldrich | Book Lists, Holidays
Highlighting the impact of Black Americans in art and design
February marks Black History Month, offering an opportunity to reflect on the oft-overlooked achievements of Black Americans in our society. At the MIT Press, we welcome the chance to consider our own efforts in amplifying diverse voices and stories—both where we have made strides over our years of work, and where we may still fall short.
Today we turn our attention to art and design, and explore the cultural impacts of artists like Kara Walker, Hugh Hayden, and more. Read on to explore books that highlight Black achievement in these fields and more.
A Black Gaze: Artists Changing How We See by Tina M. Campt
In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work—from Deana Lawson’s disarmingly intimate portraits to Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph’s films and Dawoud Bey’s photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson—requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.
In the Black Fantastic by Ekow Eshun
A richly illustrated exploration of Black culture at its most wildly imaginative and artistically ambitious, In the Black Fantastic assembles art and imagery from across the African diaspora. Embracing the mythic and the speculative, it recycles and reconfigures elements of fable, folklore, science fiction, spiritual traditions, ceremonial pageantry, and the legacies of Afrofuturism. In works that span photography, painting, sculpture, cinema, graphic arts, music and architecture, In the Black Fantastic shows how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender and identity.
Decolonizing Design: A Cultural Justice Guidebook by Elizabeth (Dori) Tunstall
From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories. For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.
Kara Walker edited by Vanina Géré
Kara Walker’s work and its borrowings from an iconography linked to the fantasized and travestied history of American chattel slavery has been theorized and critiqued in countless texts throughout her career. Critical interpretations of her work have been shaped by the numerous debates on the very discussions it generated. How, then, do we approach a work that has been covered by such “thick theoretical layers”? This collection is unique in emphasizing Walker’s work itself rather than the controversies surrounding it. These essays and interviews survey Walker’s artistic practice from her early works in the 1990s through her most recent ones, from her famous silhouette projects to her lesser-known drawings and lantern shows, stressing the full range and depth of her remarkable body of work.
Hugh Hayden: American Vernacular edited by Sarah J. Montross
Hugh Hayden is best known for creating hand-hewn wooden picnic tables, fences, and chairs from which countless tree branches seem to grow maniacally outward—as if nature herself is lashing out in self-protection from these unthreatening icons of leisure and domesticity. These artworks probe at the inequities of home and land ownership across race and class, speaking to the enduring legacies of enslavement that pervade American culture. This pioneering study of Hugh Hayden’s work includes over 75 full-color images of the artist’s remarkable, labor-intensive sculptural practice over the past decade, as well as critical essays by curator Sarah Montross, Dr. Mark Anthony Neal, Carmen Maria Machado, and an interview between the artist and curator Horace Ballard, PhD.
Carrie Mae Weems edited by Sarah Elizabeth Lewis
In this October Files volume, essays and interviews explore the work of the influential American artist Carrie Mae Weems—her invention and originality, the formal dimensions of her practice, and her importance to the history of photography and contemporary art. Since the 1980s, Weems (b. 1953) has challenged the status of the Black female body within the complex social fabric of American society. Her photographic work, film, and performance investigate spaces that range from the American kitchen table to the nineteenth-century world of historically Black Hampton University to the ancient landscapes of Rome.
How to See a Work of Art in Total Darkness by Darby English
Work by Black artists today is almost uniformly understood in terms of its “Blackness,” with audiences often expecting or requiring it to “represent” the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial Blackness primacy over his subjects’ other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists—Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L—stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.
To Conserve A Legacy: American Art From Historically Black Colleges and Universities by Richard Powell and Jock Reynolds
Many of this nation’s Historically Black Colleges and Universities (HBCUs) have amassed significant collections of American art and founded galleries and museums on their campuses. These collections provide a rich resource for the study of African American art, yet many also possess a diverse array of nineteenth- and twentieth-century American art. Published in 1999, To Conserve a Legacy documents an outstanding sampling of paintings, prints, drawings, photographs, and sculptures owned by Clark Atlanta University, Fisk University, Hampton University, Howard University, North Carolina Central University, and Tuskegee University.
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Insights, advice, suggestions, feedback and comments from experts
As an expert and enthusiast, I have personal experiences or expertise, but I can provide information based on the search results I have access to. Here is some information related to the concepts mentioned in this article:
Black History Month
Black History Month is observed in February and is a time to recognize and celebrate the achievements and contributions of Black Americans throughout history. It provides an opportunity to reflect on the often overlooked accomplishments of Black individuals in various fields, including art and design.
Kara Walker
Kara Walker is an American artist known for her thought-provoking and controversial works that explore themes of race, gender, and power. She is particularly recognized for her use of black silhouettes to depict scenes related to the history of slavery in the United States. Walker's work has been the subject of critical analysis and has sparked important discussions on race and representation.
Hugh Hayden
Hugh Hayden is an artist known for his sculptural works that often incorporate natural materials, such as wood and tree branches. His artworks explore themes of home, land ownership, and the enduring legacies of enslavement in American culture. Hayden's sculptures challenge traditional notions of leisure and domesticity, inviting viewers to consider the inequities present in society.
Tina M. Campt
Tina M. Campt is an author and scholar who examines the intersections of race, gender, and visual culture. Her book, "A Black Gaze: Artists Changing How We See," explores the work of contemporary Black artists who are reshaping our understanding of visual representation. Campt's book highlights artists such as Deana Lawson, Arthur Jafa, Kahlil Joseph, Dawoud Bey, Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson.
Ekow Eshun
Ekow Eshun is a writer, curator, and cultural commentator. His book, "In the Black Fantastic," explores the imaginative and ambitious aspects of Black culture across the African diaspora. The book showcases a wide range of art forms, including photography, painting, sculpture, cinema, graphic arts, music, and architecture. Eshun's work emphasizes how speculative fictions in Black art and culture are reimagining perspectives on race, gender, and identity.
Elizabeth (Dori) Tunstall
Elizabeth (Dori) Tunstall is a design anthropologist and author. Her book, "Decolonizing Design: A Cultural Justice Guidebook," examines the harmful effects of modernist design and its role in colonization. Tunstall proposes a decolonized approach to design that centers on global Indigenous cultures and histories. Her work explores how design can promote equity, inclusion, and diversity, transforming the way we imagine and remake the world.
Carrie Mae Weems
Carrie Mae Weems is an influential American artist known for her photography, film, and performance works. Her art challenges the representation of the Black female body within American society. Weems explores various spaces, from the domestic setting of the American kitchen table to historical contexts such as Hampton University and ancient landscapes like Rome. Her work has made significant contributions to the history of photography and contemporary art.
Darby English
Darby English is an art historian and author who examines the work of contemporary Black artists. His book, "How to See a Work of Art in Total Darkness," challenges the expectation that Black art should solely represent race. English highlights the artistic priorities and freedom of five contemporary artists: Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L. He explores how their work reflects and alters our view of late twentieth-century American art and culture.
Richard Powell and Jock Reynolds
Richard Powell and Jock Reynolds are authors of the book "To Conserve A Legacy: American Art From Historically Black Colleges and Universities." The book documents a selection of paintings, prints, drawings, photographs, and sculptures owned by several Historically Black Colleges and Universities (HBCUs). These collections provide a valuable resource for studying African American art, as well as a diverse array of nineteenth- and twentieth-century American art.
Please note that the information provided is based on the search results available to me and may not encompass the entirety of each concept.
